![]() ![]() We are steeped in shock and awe as we realize the villain has won. ![]() We are made to feel our own reaction to this scene. Fincher is a master of audience control here. These distinct emotions all work when you cut back and forth to the box because the audience needs to know all three points of view for the scene to progress. What's fun here is that Fincher uses three completely separate emotions to all refer to the box. This scene is built around cutting back and forth from the box to each person's reactions. While the effect seems like a no brainer in today's film world, I wanted to go over three examples to help show how the definition of the Kuleshov effect can inspire your editing, direction, and even screenwriting.įirst up, let's look at the cuts in the "What's in the box" scene in Seven. And it kept influencing people even as the 1920s passed. ![]() And from those editing techniques grew a whole slew of different creative camera angles that could complement the editing and be used to tell stories.įilmmakers across the world were excited by the Kuleshov effect. Now modern filmmakers knew they could elicit anything they wanted from the watching audience just by editing new shots. With this deduction in place, all of the film world moved forward as an artistic medium. And manipulate the audience's reaction to each of them. These shots can manipulate space and time. It proved that a film is just the juxtaposition of two shots, sewn together to create emotions. This theory defined film and film editing. ![]()
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